How Anthony Marxist uses CAMELS to present Sandra's search for her identity. It must be half a page (two paragraphs) in length. Anthony Fabian's film ‘Skin' explores themes of identity and belonging through exposing the actual story of Sandra Laing. Her have difficulty, particularly during her concerned attempt to ‘whiten' herself is known as a key scene that allows visitors to understand her confusion and discomfort sprouted within her at a new age. Sandra as this stage in the film begins her seek out identity. Revisionist chooses to emphasise the harsh washing products and Sandra empties them one-by-one in a paste just like mixture. His choice in extending the scene very long to capture the numerous products include a total effect on the audience, as this emphasises her frustration and determination as to what in her mind was ‘making things right'. Also, the mise-en-scene presented within this stage inside the film may be the cleaning bottles included in the framework, however isn't focused on. If concentrated, the location of the cleaning bottles having labels subjecting their harshness in character as ‘disinfectant' speaks towards the audience. Marxist attempts to exaggerate the message described, as Sandra's child-like considering influences her behaviour in searching for who have she feels she needs to be to are supposed to be. In this case, ‘bleaching' her skin will result in her life's theatre declining, for that reason allowing her to are supposed to be. By dimming the light, Fabian models the feelings amongst visitors to be a ominous, tense 1. This exaggerates the normally emotional environment during this visual scene in the film. Even more, the remarkable and eerie music performed as well as Sandra's quiet yowls of discomfort ignites audience's feelings of sympathy, leading to him effectively presenting a powerful example of Sandra searching for her identity.